04.10.2019
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You can already imagine the difference in the dimensions of a room having an effect on reverb. Imagine a concert hall versus your tiled bathroom. Imagine a small wooden box versus a large metal box. The size effects the length of the reverb while the material effects the frequency response. Dec 14, 2017 - Tonebridge has thousands of presets that can make your guitar sound like. Mystery MacBooks pop up in Eurasian database. Apps just for emulating guitar amplifiers and effects pedals. But now, with the latest Tonebridge release, you can also dig in to the settings that used to sit behind the scenes.

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This month’s topic is EQ. I’d say we’re opening a can of worms, except it’s more like opening a shipping container stuffed with 10,000 worm cans.It’s tough to talk about—let alone teach—EQ techniques, because almost nothing is true 100 percent of the time. Take the common sentiment that the less EQ you use, the better: Yeah, that’s good advice in most cases—adding overstated EQ tends to make tracks sound artificial and/or harsh. But what if “artificial” and “harsh” are the best expressive choice?What about all those great ’60s guitars mixed with blistering high-end EQ? (Beatles and Byrds spring to mind.) Or parts engineered to sound as small and claustrophobic as possible? (Think Pink Floyd or PJ Harvey.) Or the eerie, not-found-in-nature equalization used by Nine Inch Nails and other noisemakers? There are countless exceptions to the so-called rules.So instead of dealing in rules, we’ll talk options.

We’ll cover some common EQ techniques, and then venture into more radical scenarios. But first, here’s the quickest and dirtiest intro to EQ principles ever. (If you know this stuff already, you might want to bail now and tune in next month, when we get into some interesting case studies.). San Francisco-based Senior Contributing Editor Joe Gore has recorded with Tom Waits, PJ Harvey, Tracy Chapman, Courtney Love, Marianne Faithfull, Les Claypool, Flea, DJ Shadow, John Cale, and many other artists.

His music appears in many films and TV shows, plus an incriminating number of jingles. Joe has written several thousand articles about music and musicians and has contributed to many musical products, including Apple’s Logic and GarageBand programs.

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In his spare time Joe produces the Joe Gore line of guitar effects and edits a geeky guitar blog.